"Lighting Levels" Dinorwic
"Lighting Levels" Dinorwic
SKU:GD002339-A5
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UNESCO World Heritage Site
A fleeting burst of light during an overcast, mizzly day in the Welsh mountains. The light glowed briefly over Llyn Peris before skipping at speed over the levels of the disused Dinorwic slate quarries and then disappearing altogether.
It’s strange studying these old industrial workings, where men blasted away half a mountainside around half a century ago, but then seeing so many people using the quarried levels for climbing, walking, mountain biking and general sight-seeing. In a way it’s a really positive thing that so much fun has come out of so much destruction, and hardship for the quarrymen of old.
Print Info - An important read
Print Info - An important read
NB - COPYRIGHT WATERMARK DOES NOT APPEAR IN FINAL PRINT
ABOUT THE PRINTS:
Glyn's prints are all produced on soft-textured, archival cotton-rag paper, using archival pigment inks. The manufacturer's estimated lifespan for these prints is over 200 years when behind glass & viewed under artificial lighting.
Each print is signed & titled by the artist, and the editioned prints are obviously numbered as well. Glyn limit's his print editions to short quantities, so you are purchasing much rarer artworks than the mass-produced prints seen in furniture & home stores.
Editions range from 3 to 30 copies in the A2 & A1 size, and just 5 copies in the A0 size.
PRINT SIZES:
Prints and editions are available as follows
All prints have a border.
A5 Archival, signed prints are 6x4" on A5 sheets
A4 Archival, signed prints are 9"x 6" on A4 sheets
A3 Archival, signed prints are 15" x 10" on A3 or Super A3 sheets
A2 Archival, signed, numbered EDITION prints are 21" x 14", printed on A2 sheets
A1 Archival, signed, numbered EDITION prints are 28.5" x 19" printed on roll paper
A0 Archival, signed, numbered EDITION prints are 45" x 30" printed on roll paper
PACKAGING:
A4 prints are placed inside an archival protective sleeve and sent flat-packed.
A3 prints and larger will be placed within an archival protective polyester sleeve and then rolled, placed in one postal tube, which is then placed inside a second postal tube to try and ensure maximum safety during transit. Prints have been shipped to the EU, USA and Australia without any issues so far.