"A Glimpse of Heaven" Carnedd y Filiast
"A Glimpse of Heaven" Carnedd y Filiast
SKU:GD002565-A5
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From below, surrounded by hundreds of sledgers & skiers creating a cacophony of noisy laughs & screams, the summits were in swirling low cloud, never showing themselves.
As I trudged higher the snow became thicker and the chaos of the crowds diminished. I followed deep snowy footprints & drops of bright red blood from an injured dog, marking the route of previous ascensionists. The snow dumbs sounds; no birds sang, or sheep bleated. I could hear my own heart as the silence & snow deepened more.
I was surprised nevertheless by the numbers of small parties descending the hill, and I was troubled (as always) that I was being trailed by others, a super fit elderly couple with a tiny day sack, and a backpacking single guy. I stopped for a drink to let them pass and I watched them disappear into the thick fog. Finally, I was alone, and I laboured step by step in deep snow until I arrived at the summit. I could hear occasional walkers chatting in the whiteout, but none appeared alongside me. It was dark up there, and the strengthening wind chilled my fingers through my gloves. I sensed something was happening with the clouds though so persevered in my wait. For about ten minutes the sun made regular bursts through the low cloud, illuminating snow-crusted rock sculptures all around me. It transformed the scene completely & I felt less lonely somehow.
The horizon darkened and I could see snow clouds approaching. It was getting colder and colder, so I called it a day and retraced my footsteps back down to cloud base. Sleet and then heavy rain pelted me about five minutes from the van. Dozens and dozens of soaked sledging families made a sad retreat off the slopes. I was delighted with the ten or so images that I made on the summit. I think will make some beautiful prints for the gallery wall.
Print Info - An important read
Print Info - An important read
NB - COPYRIGHT WATERMARK DOES NOT APPEAR IN FINAL PRINT
ABOUT THE PRINTS:
Glyn's prints are all produced on soft-textured, archival cotton-rag paper, using archival pigment inks. The manufacturer's estimated lifespan for these prints is over 200 years when behind glass & viewed under artificial lighting.
Each print is signed & titled by the artist, and the editioned prints are obviously numbered as well. Glyn limit's his print editions to short quantities, so you are purchasing much rarer artworks than the mass-produced prints seen in furniture & home stores.
Editions range from 3 to 30 copies in the A2 & A1 size, and just 5 copies in the A0 size.
PRINT SIZES:
Prints and editions are available as follows
All prints have a border.
A5 Archival, signed prints are 6x4" on A5 sheets
A4 Archival, signed prints are 9"x 6" on A4 sheets
A3 Archival, signed prints are 15" x 10" on A3 or Super A3 sheets
A2 Archival, signed, numbered EDITION prints are 21" x 14", printed on A2 sheets
A1 Archival, signed, numbered EDITION prints are 28.5" x 19" printed on roll paper
A0 Archival, signed, numbered EDITION prints are 45" x 30" printed on roll paper
PACKAGING:
A4 prints are placed inside an archival protective sleeve and sent flat-packed.
A3 prints and larger will be placed within an archival protective polyester sleeve and then rolled, placed in one postal tube, which is then placed inside a second postal tube to try and ensure maximum safety during transit. Prints have been shipped to the EU, USA and Australia without any issues so far.