Glyn Davies Photo Gallery
"Warmth of Close Company" Dinas Dinlle
"Warmth of Close Company" Dinas Dinlle
SKU:GD002384-A5
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It's been maybe a year since I last took my Mum & Dad out for a fish & chip evening at the seaside, and I know we all feel we are missing the connection as time flies by and equally is getting shorter. So the other night we made rapid last minute arrangements and a very happy Mum & Dad climbed (almost literally) into my van and off we went.
The breeze was strong and deceptively cool outside the warm sunlit cab, so with the smell of salt & vinegar pervading the air, and later clothes, we sat and chatted to each other about life & love and family. After washing it down with a nice cup of flask coffee I felt it was daft not to go and check out the lowering sun as it began to set over the impressive wet beach. I left my folks in the comfort of the vehicle and wandered along the huge expanse of flat sand, textile-patterned with watery layers from the retreating tide.
I am so into my rock climbing these days that I find so much less time to take photos, combined with an increasing awareness that I simply don't want to shoot stuff I've shot so many times before. There was something so sublimely beautiful about the colours, reflections and intensity of light this evening though, that I found myself genuinely enjoying the looking and lining up of simple compositions in the vast emptiness. I had no tripod for a change and I was able to move fluidly and easily to benefit from the rapidly changing conditions, before all too soon the sun moved behind a huge cloudbank rolling in as it often does, from the Irish Sea.
I returned to the van happy that I'd taken some pictures for a change, but also aware that I'd missed maybe half an hour of the company of my lovely parents. I'm finding that time is harder than ever to allocate to the things I want to see and do in life, but that maybe small moments of lots of things are more important than long periods of narrow obsession. Actually I don't think there's much choice anymore as the hourglass is more than half empty.
Print Info - An important read
Print Info - An important read
NB - COPYRIGHT WATERMARK DOES NOT APPEAR IN FINAL PRINT
ABOUT THE PRINTS:
Glyn's prints are all produced on soft-textured, archival cotton-rag paper, using archival pigment inks. The manufacturer's estimated lifespan for these prints is over 200 years when behind glass & viewed under artificial lighting.
Each print is signed & titled by the artist, and the editioned prints are obviously numbered as well. Glyn limit's his print editions to short quantities, so you are purchasing much rarer artworks than the mass-produced prints seen in furniture & home stores.
Editions range from 3 to 30 copies in the A2 & A1 size, and just 5 copies in the A0 size.
PRINT SIZES:
Prints and editions are available as follows
All prints have a border.
A5 Archival, signed prints are 6x4" on A5 sheets
A4 Archival, signed prints are 9"x 6" on A4 sheets
A3 Archival, signed prints are 15" x 10" on A3 or Super A3 sheets
A2 Archival, signed, numbered EDITION prints are 21" x 14", printed on A2 sheets
A1 Archival, signed, numbered EDITION prints are 28.5" x 19" printed on roll paper
A0 Archival, signed, numbered EDITION prints are 45" x 30" printed on roll paper
PACKAGING:
A4 prints are placed inside an archival protective sleeve and sent flat-packed.
A3 prints and larger will be placed within an archival protective polyester sleeve and then rolled, placed in one postal tube, which is then placed inside a second postal tube to try and ensure maximum safety during transit. Prints have been shipped to the EU, USA and Australia without any issues so far.
